Sylvie 
Bollywood continues to push boundaries in storytelling, but a concerning trend has begun to take center stage in Mumbai’s film industry. The portrayal of violent Indian men as ideal lovers is becoming more prominent in mainstream movies. This troubling shift gained widespread attention with the film Kabir Singh, sparking a nationwide discussion on misogyny in films.
In 2025, the discourse intensified with the release of Tere Ishk Mein, starring Dhanush and Kriti Sanon. The movie has become a top contender in what critics are dubbing Bollywood’s “misogyny Olympics.” The film romanticizes aggressive and violent behavior as signs of passion and true love.
Dhanush, known for his intense performances, portrays a character embodying this dark charm, while Kriti Sanon plays the love interest caught in this complex dynamic. The depiction has ignited passionate debates among audiences and critics alike, raising questions about the message Bollywood conveys regarding relationships and gender roles.
Experts’ Views and Societal Implications
Experts argue that glamorizing violence in romantic contexts could have harmful societal impacts, potentially influencing young viewers’ perceptions of love and respect. Meanwhile, proponents of the film claim it reflects the harsh realities of certain relationships and call for nuanced storytelling rather than outright condemnation.
The Responsibility of Filmmakers
This trend raises important questions about the responsibility of filmmakers in shaping cultural attitudes and the fine line between artistic expression and social accountability. As Bollywood evolves, the industry faces a critical moment to reflect on the narratives it promotes and their implications on society.
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