In Cold Light Review: Maika Monroe and Troy Kotsur Shine in a Fast-Paced Crime Thriller at Tribeca
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The 2025 Tribeca Film Festival presents “In Cold Light,” a crime thriller directed by French-Canadian filmmaker Maxime Giroux. This film spotlights the compelling performances of Maika Monroe and Troy Kotsur in a story that moves quickly and keeps audiences on edge, despite certain narrative flaws.
Plot and Performances
Set against a tense and gripping backdrop, “In Cold Light” dives into the complex intertwining lives of its characters, delivering sharp acting that elevates the film’s brisk pace. Maika Monroe leads with a captivating presence, while Troy Kotsur brings depth and nuance to his role, adding emotional weight to the thriller. Adding another layer of gravitas is Helen Hunt, who provides memorable support, enhancing the film’s dynamic.
Direction and Cinematography
Maxime Giroux’s direction infuses the movie with a gritty realism, reflective of classic crime dramas, yet offers a modern twist. The film’s cinematography and pacing work hand in hand to create a suspenseful atmosphere that hooks viewers right from the start. Although the storyline has some uneven moments, the strong performances and tight editing maintain engagement throughout the film’s runtime.
Screenplay and Themes
“In Cold Light” also benefits from its smart screenplay, which balances thrilling action sequences with moments of quiet intensity. The film’s approach to crime and its consequences is thoughtful, allowing characters to develop amid unfolding events. This balance makes it more than just a standard thriller; it adds layers that encourage viewers to think along with the plot twists and turns.
Conclusion
For crime thriller enthusiasts, “In Cold Light” offers an exciting, if imperfect, cinematic experience. The combination of star power, skilled direction, and a fast-moving plot makes the film a notable entry at Tribeca 2025. Fans of the genre will appreciate the mix of suspense and strong character work that keeps the story compelling.
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