Los Angeles Review: ‘Shelby Oaks’ Blends Found-Footage Horror and Mockumentary but Falls Short
Abhira 
Chris Stuckmann, a popular YouTuber, makes his debut in feature filmmaking with ‘Shelby Oaks’, a Neon-distributed movie that attempts to mix found-footage horror with a mockumentary style. The film centers on a woman’s desperate search for her missing sister, diving into eerie and unsettling territory.
‘Shelby Oaks’ uses the found-footage technique to bring authenticity and immediacy to the horror elements, while the mockumentary approach aims to add a layer of realism and investigative intrigue. This combination creates a unique narrative structure that has the potential to engage horror fans looking for something different.
However, despite its intriguing premise and innovative style, ‘Shelby Oaks’ struggles with execution. The film frequently feels clunky, with pacing issues and awkward transitions that disrupt the tension and suspense crucial for horror movies. The blend of formats sometimes results in a disjointed viewing experience, making it difficult for audiences to fully immerse themselves in the story.
The performances, while earnest, cannot overcome the script’s shortcomings. The central character’s search for her sister provides emotional motivation but is not enough to maintain sustained interest. Visuals are typical of found-footage films, and while effective in some moments, they lack the polish expected from a feature distributed by a notable label like Neon.
Despite its flaws, ‘Shelby Oaks’ offers a fresh take for those interested in hybrid horror films. The ambition behind the project is clear, and Stuckmann’s transition from YouTube to cinema shows promise. Fans of the genre may find moments of genuine suspense, even if the overall execution doesn’t meet expectations.
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