Los Angeles Review: Bryan Cranston and Allison Janney Shine But Can’t Rescue ‘Everything’s Going to Be Great’
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In the bustling heart of Los Angeles, director Jon S. Baird, known for his hit ‘Tetris’, brings us ‘Everything’s Going to Be Great’, a coming-of-age dramedy centered on a theater kid growing up around a starry-eyed, wannabe Broadway producer father. The film promises a heartfelt exploration of unconventional family dynamics, anchored by powerhouse performances.
Bryan Cranston and Allison Janney, two stalwarts of the screen, deliver compelling performances that elevate the material. Cranston embodies the dreamer father with a nuanced mix of charm and desperation, while Janney adds emotional depth to the family tapestry.
Despite their star power and commanding presence, the film struggles with a thinly sketched script that fails to fully develop its characters and themes. The narrative feels scattered, and key relationships lack the depth needed to engage the audience fully. Benjamin Evan Ainsworth, portraying the theater kid, shows potential but is somewhat overshadowed by the film’s uneven pacing and shallow storytelling.
Visually, Baird’s direction is competent, capturing the vibrant yet chaotic atmosphere of a family chasing dreams in the artistic world. The score and cinematography complement the film’s tone but cannot compensate for the story’s weaknesses.
Summary of Strengths and Weaknesses
- Strengths:
- Strong performances by Cranston and Janney
- Vibrant depiction of an artistic family environment
- Competent direction and fitting score
- Weaknesses:
- Thinly sketched script
- Scattered narrative and uneven pacing
- Lack of depth in character development and relationships
Everything’s Going to Be Great aims to depict the complexities of familial ambition and youthful aspiration but stops short of delivering a truly memorable experience. Fans of Cranston and Janney will appreciate their efforts, but those seeking a compelling, tightly woven narrative might find the film lacking.
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